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The myth that readings suck

September 20, 2015 Leave a Comment

 

All (well, many, many, many) authors say this: Readings are pull-your-fingernails-out-with-pliers ordeals. I myself may have said this once or a thousand times.

stagefrightWe are supposed to sensitive introverts, we writers, reveling in the fact that our job involves sitting in a little room all by ourselves for hours on end. It’s our happy place. You know what’s not our happy place? Out There.

Out There, we can’t be our awkward, tongue-tied selves. We have to have actual conversations. Wear presentable clothes. We have to comb our hair, for God’s sake. Oh, the torture.

That’s true, a little bit. But you know what? A lot more, it’s crap.

That was brought home to me last night when, after many months without any public appearances (by the time my next book, Disgraced, comes out in March, it will have been two years between books), I was invited to give a reading in Seeley Lake, Montana. The town, about an hour north of my home, is famous mostly because A River Runs Through It author Norman Maclean’s family has a cabin there. There’s good writer karma in Seeley Lake.

FullSizeRender(45)Just how good, I found out last night when – on a bluebird Saturday, when anyone with any sense would have been playing on the lake – people packed Grizzly Claw Trading Co. for the reading sponsored by Alpine Artisans Inc.

It wasn’t torture. It was terrific. We talked about books and writing, and ate homemade treats and drank wine. I got a ton of new recommendations for books to read. When I think back, that’s pretty much been my experience at every reading. Which underscores the following: It’s an unbelievable privilege to talk with folks who are part of a community of knowledgeable and enthusiastic readers.

So here’s my vow to stop whining about having to come out my cave and stand up in front of people and talk. Because it’s not a performance. It’s a conversation, and a wonderfully rich one at that. It was great to have last night’s reminder.

Tags: Bookselling, Disgraced the novel, Readings

When plot arises from place – happenstance in Hanoi

August 14, 2015 Leave a Comment

Temple of Literature

Temple of Literature

When I found out that my sweetie was going to Vietnam as part of a U.S. State Department exchange program (the Young Southeast Asian Leaders Initiative, or YSEALI, administered by the University of Montana’s Mike and Maureen Mansfield Center), I jumped at the chance to tag along

Of course, the writer wheels also started turning, as I tried to come up with a plausible reason to send my protagonist, Lola Wicks, to Vietnam, too.

At first, it didn’t seem as though anything would work. Lola works at a small newspaper in Montana. Occasional freelance assignments send her around the West, but it seemed unlikely that any outfit would pony up the dough for such an expensive trip. Such plum assignments usually go to staff writers, or to big-name journalists, and Lola – despite her fast-receding past as a foreign correspondent – is a middle-size name on her best days.

I resigned myself to two weeks of tourism, awash in pho and Hanoi Beer. Tough duty, but I figured I was up to it. Funny thing happens, though, when you stop thinking hard about something. Ideas worm their way in.

On the 11-hour plane ride from Seattle to Seoul, one of those thoughts wriggled its way to the surface. Why does Lola have to be the one who goes? What if a significant plot point involved another character’s time in Vietnam?

Whoop, whoop, whoop! Sound the idea sirens! I couldn’t wait to get off the plane and back to WiFi World and do some research to see if it had merit. (News flash: It does.)

confuciousJust to be sure, though, I submitted it before the altars at the Temple of Literature, as beautiful and tranquil a spot to be found in all of Hanoi. The bronze Confucious his disciples stared benevolently back at me. And, following the lead of the locals, for luck I also patted the chest of a bronze crane and rubbed the head of the turtle upon which it stood. Covering all my bases, to apply an American metaphor.

We’ll see if this plot works out. In the meantime, I’m scurrying around Hanoi taking notes like a madwoman, glad to have purpose beyond simple tourism.

 

Tags: Uncategorized, Writing

Scaling hills, literally and figuratively (Or, today’s tortured analogy)

August 4, 2015 Leave a Comment

granitepark

Granite Park Chalet

Recently I scored an opportunity that will allow me to cross off a bucket list item—a hike to the backcountry Granite Park Chalet in Glacier National Park. Getting to the chalet involves either a 4- or 7-mile hike, depending which way you go. Its presence means you can enjoy your hike with a simple day pack, rather than lugging overnight gear. People like the hike for that reason, but mostly because of the spectacular country along the trail. Because of its popularity, stays at the chalet are reservation only, and I’ve never managed to get my act together in time to make one. But recently a friend called with the news that someone in her hiking group had to cancel, and did I want to take her spot? Oh. Hell. Yeah.

The trip is in a month, and I’ll be in Vietnam for two weeks of that time. Which leaves me just two more weeks to get in better shape than jogging around my mostly flat neighborhood has. My training plan involves heading up a hill a day. My neighborhood is surrounded by hills, which makes the training easy, and—given the lovely views from the top—enjoyable.

Up the hill

Up the hill

View from the top

View from the top

 

 

 

 

 

 

 

 

 

[Read more…]

Tags: Writing

I’m in Wyoming! No, Arizona! But I’m sitting in Montana …

July 16, 2015 1 Comment

A couple of nights ago, I heard a friend – author Leslie Budewitz – read from her new book, BUTTER OFF DEAD.

It’s the third in her Food Lovers’ Village cozy mystery series, set in the fictional town of Jewel Bay, Mont., which oh-so-coincidentally resembles Budewitz’s home of Bigfork, Mont., at the north end of Flathead Lake. Budewitz also writes the Spice Shop mystery series, set in Seattle’s Pike Place Market. Her second book in that series, GUILTY AS CINNAMON, comes out in December.

Every time I think about juggling two different series simultaneously, my head hurts. These last few weeks, I’ve had the tiniest taste of Budewitz’s reality as I finish the final edits on my next book, DISGRACED, coming out in March, while rewriting the first draft of the still-unnamed novel to follow.

DISGRACED is set in Wyoming, and the next book is set in Arizona. A few times each day, I have to make the mental shift from sagebrush to redrock. Then, when I’m done, I look out the window and see forested hills. Huhhhhh? It’s all very disorienting.

OLYMPUS DIGITAL CAMERAmonumentvalley

 

 

 

 

 

 

I tell myself that the mental tap-dance keeps me nimble, yet another good exercise to stave off Alzheimer’s in my dotage. But mostly, it just makes me feel like I’m in that scary, head-exploding scene from Scrubs. Only in my version, Dr. Cox intones, “You’ll never make it as a writer.”

Time to, a la Budewitz, tap-dance faster.

 

 

Tags: Arizona the novel, Disgraced the novel, Writing

Slowly, slowly, Book No. 3 starts to seem real

June 12, 2015 1 Comment

 

 

Screen Shot 2015-06-12 at 2.26.16 PM

I spent nearly four decades in the slam-bam world of daily journalism. In the early days, you’d report and write a story one day, and see it in the newspaper the next. By the time I left, the intensity had ramped up considerably, with stories going online within minutes of being written and, please God, edited.

By comparison, book publishing seems glacial. (As does, on most days, the writing. Why, oh why, does it take forever for the words to reveal themselves?) anxietygirl

I turned in the manuscript for my third novel, Disgraced, to Midnight Ink a few weeks ago. It’s not due out until March. That sort of time lag can make a neurotic writer worry that it’s all just a dream. One clutches anxiously at the bits of proof along the way—the galleys, the reviews, the wonderful delivery of the actual book itself, with that delicious new-novel smell. Unfortunately, those things are still months away. Until recently, I was in full Anxiety Girl mode.

But now my first shred of proof exists, with an order form for Disgraced on IndieBound, the site that serves independent bookstores, and Amazon. The cover image isn’t available yet, but I’ve seen an early version and it’s fantastic.

Here’s the description from Amazon:

When former foreign correspondent Lola Wicks heads to Wyoming for a Yellowstone vacation, she comes across a story that hits close to her past. One Wyoming soldier returning from Afghanistan commits suicide, two others spark a near-fatal brawl, and a woman is terrorized. Lola, accompanied by her young daughter, senses a story about whatever happened on the far side of the world that these troops have brought so disastrously home. But she soon realizes that getting the story must take second place to getting herself—and her little girl—out of Wyoming alive.

Cue the music of doom.

And speaking of doom, revisions to the manuscript are due in a few days. That l-o-o-o-o-n-g process I like to complain about? Times like these, it feels just as pressured as that old daily deadline.

Tags: Disgraced the novel, Midnight Ink, publishing business, Writing

Pantsing vs. plotting – an unexpected turn

May 25, 2015 Leave a Comment

 

I recently had the fun of being interviewed for the Rocky Mountain Fiction Writers podcast by Mark Stevens, who writes the Allison Coil mystery series. Stevens interviewed me about Jon Krakauer’s new book, Missoula: Rape and the Justice System in a College Town, and also on my own writing process. For my purposes, though, the podcast really gets rolling when Mark talks with Jim Heskett, author of The Whistleblower Trilogy (and whose website describes him as “author, podcaster, charlatan.”)

My scary desktop

My scary desk

Part of that interview focuses on the differences between “pantsers” – writers who work by the seat of their pants – and “plotters,” the more rational among us, who write from a detailed outline. Anyone who’s ever seen my desk (well, you can’t actually see the desk because its surface is buried in stacks of Important Stuff) would correctly tag me as a pantser. A part of me envies plotters – how wonderful to face the blank page, knowing what belongs. Prevailing wisdom suggests that many writers who start out as pantsers eventually go over to the dark side, which is how I think of plotting.

So imagine my glee in hearing Heskett, whose portion starts at about 27 minutes in, describe himself as a plotter gradually turning pantser.

At about 33 minutes, Stevens asks him about “this new world of seat of the pants writing”:

“At once, it’s more fun and a lot more tortuous,” Heskett says. “I mean, it’s more fun because I don’t know where the story’s going to go and sometimes I come up with stuff that surprises me. … Sometimes it’s also incredibly tortuous when I don’t know where the story should go next.”

I found further affirmation in Heskett’s description of his first draft as “essentially like a very, very, very long outline.” That’s my process, too, although I didn’t have a term for it. It’s reassuring to hear that I’m not alone in the hot mess of the first draft process.

Check out that podcast, and the others on the Rocky Mountain Fiction Fiction Writers website. As always when listening to writers talking about writing, there’s much terrific and useful information.

Tags: Rocky Mountain Fiction Writers, Writing

The tough thing about nonfiction – it’s real

April 23, 2015 Leave a Comment

 

In 2013, I left daily journalism and turned to daily fiction. It’s been a terrific couple of years, with two novels under my belt and a third, Disgraced (Midnight Ink) scheduled to come out in March.

I haven’t quite cut the cord to journalism, though. I’ve been fortunate enough to teach as an adjunct professor at the University of Montana School of Journalism, something that still lets me get a whiff of great stories, and reminds me why the job was so much fun.

MISSOULA-3DBut this week’s release of Jon Krakauer’s new book, Missoula: Rape and the Justice System in a College Town, provided a good reminder of one reason I ultimately prefer fiction to nonfiction.

The cases Krakauer recounts are heartbreaking—in my case, doubly so, since I covered many of them in my final years as a reporter. Reading the book brought back the thing about journalism people rarely tell you.

Sure, there’s the fun stuff—the big, first-draft-of-history stories; the human interest tales; the critter stories, oh God, so many critter stories. But there’s also lot of pain, especially when it comes to covering crime, as I did. That pain is real, and its ripple effects extend to family, friends, first responders; more people than I’d ever realized.

I’d been writing fiction at night and on weekends for twenty years when I finally left the day job, but I dove into it full-time with equal parts enthusiasm and relief. Sure, I kill people in my books. And I write about the pain of those left behind. But it’s all so wonderfully unreal.

This week, when I read Krakauer’s book, I remembered what it was like to sit in those courtrooms and watch the kind of anguish that doesn’t vanish with the last chapter. I don’t miss it. But I’m glad Krakauer had the fortitude to take on this terrifically difficult subject and stick with it because, unfortunately, it’s so very real.

 

 

 

 

 

 

Tags: Journalism

Congrats to Pinckley Prize winners Nevada Barr and Adrianne Harun!

March 28, 2015 Leave a Comment

pinckley-prizes-logo

 

One of the best days of my writing life occurred a year ago, when my first novel, Montana, won the Pinckley Prize for crime fiction. The prize is awarded to a woman crime writer in two categories – for a body of work, and a debut novel. Last year, Laura Lippman won the former, and I still can’t believe I shared a stage with someone whose work I’ve admired for so long.

This year, the prize honors Nevada Barr, whose novels about crimes in national parks have kept me awake well into the night, and Adrianne Harun, of whose work I have the same expectation.

Her novel, A Man Came Out of a Door in the Mountain (Penguin Books), focuses on a subject close to my heart. Of it, the prize committee wrote:

“This story captured our attention with its poetic language. The novel is a genre-expanding meditation on the nature of evil and how this force manifests in the world. Harun based her fictional story on the real-life unsolved mystery of the aboriginal women who have been murdered or remain lost along the infamous ‘Highway of Tears’ in northern British Columbia. The factual grounding adds a chilling resonance to her seductive and beautiful writing.”

I’m so happy that Harun will share what I’ve come to think of as the Pinckley karma. At last year’s Tennessee Williams/New Orleans Literary Festival, where the prizes are awarded, I reconnected with former newspaper colleagues Stephanie Grace and Ellen Sweets. And, I made new friends among the members of the Women’s National Book Association of New Orleans, which awards the prize that honors the Diana Pinckley, who reviewed mystery novels for the Times-Picayune.

Montana went on to win a High Plains Book Award, and its protagonist, Lola Wicks, will continue her adventures in a series of novels published by Midnight Ink Books. I credit both developments to the Pinckley karma.

Most of all, I want to once again thank the Pinckley Prizes organization for focusing on work by women, and especially on debut authors. It is such wonderful validation at the beginning of one’s writing career. Congrats, Adrianne, and enjoy.

Tags: Pinckley Prize, Tennessee Williams Festival

Lola Wicks lives! Three more books on the way

March 10, 2015 3 Comments

I am beyond thrilled to announce that Midnight Ink has offered a three-book deal for the next books in the Lola Wicks series. Here’s the Publishers Marketplace announcement – I’ve been waiting until some details were nailed down before telling the world.

 Midnight Ink publishes some of my favorite authors – think Mark Stevens and his Allison Coil mysteries, and Shannon Baker’s Nora Abbott series – so I’m doubly honored.

 The publication date for the next book, set in Wyoming, will likely be early next year. The title will almost certainly change, but Lola’s peripatetic ways will not. After Wyoming, I’m sending her off to Arizona. It’s entirely possible that some very self-serving research trips – in January, say – will accompany that writing process.

Oh, and did I mention that I’m thrilled?

 

Tags: Midnight Ink, Wyoming: The Novel

‘Montana’ a nominee for Salt Lake Library Reader’s Choice Award

February 5, 2015 Leave a Comment

 

Such cool news! This is how the library describes the Reader’s Choice Award:

 MontanaThe Salt Lake County Library System is the largest in Utah, serving over 650,000 residents, through 18 libraries.  Twice a year, the Reader’s Choice Committee selects twenty or more recently published books that have been recommended by other staff or customers.  We want to include those titles that are not “best-sellers” but are so good you just can’t put them down — and when you do finish, you have to tell all your friends!  These books are purchased in multiples and placed on display at each Salt Lake County Library for a four-month period.  After reading any of the books on our Reader’s Choice list, customers may rate the books using one of our ballot forms.

 I’m honored to see Montana among this year’s list of 23 books. Past winners include Sue Monk Kidd’s The Secret Life of Bees and The Bone Collector by Douglas J. Preston & Lincoln Child.

 All the books will be on display at the 18 libraries around Salt Lake County, and readers have until May 15 to vote on their favorites. Even if you’re not in Utah, the list provides great suggestions for a whole year’s worth of reading.

 

Tags: Montana: The Novel

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